The Internet of Haecceities: IPv6 and the128-bit Thurn und Taxis
Benjamin H. Bratton
In 1936, the year before Turing?s critical essay, On Computable Numbers, with an Application to the Entscheidungsproblem, Walter Benjamin published his seminal The Work of Art in the Age of Mechanical Reproduction. That essay begins with a very brief quotation from a work by the poet and essayist, Paul Val?ry, Pieces sur L?art, Le Conquete de l?ubiquit?, itself published earlier in 1928. Read today it stands as a remarkable ancestral prophecy of ubiquitous computing, and well beyond Benjamin?s short citation, worth quoting at length,
?At first, no doubt, only the reproduction and transmission of works of art will be affected. It will be possible to send anywhere or to re-create anywhere a system of sensations, or more precisely a system of stimuli, provoked by some object or event in any given place. Works of art will acquire a kind of ubiquity. We shall only have to summon them and there they will be?They will not merely exist in themselves but will exist wherever someone with a certain apparatus happens to be. (?) Just as water, gas and electricity are brought into our houses from far off to satisfy our needs in response to a minimal effort, so we shall be supplied with visual or auditory images, which will appear and disappear at a simple movement of the hand, hardly more than a sign. (?) Just as we are accustomed, if not enslaved, to the various forms of energy that pour into our homes, we shall find it perfectly natural to receive the ultrarapid variations or oscillations that our sense organs gather in and integrate to form all we know. I do not know whether a philosopher has ever dreamed of a company engaged in the home delivery of Sensory Reality??
The term, ?ubiquitous computing? is generally credited to Mark Weiser at XeroxPARC, who as described in his now famous white paper, defined it as the shift from a computing epoch in which one computer serves per many people (?mainframe era?), to one computer per person (?PC era?) and now instead, an condition of many computers per person. Weiser was thinking in terms of a multiplication and scattering of processors or individual computing machines. Today the contemporary implication however is that this enveloping swarm of very small computers, when paired with wireless information input and output channels and networked into cluster fields of various sizes, would constitute not just a many singular instances of computers that a person might possess, but an emergent ambient ecology of information flux that would equally possess a person as any habitat does. Computing becomes then less an overt machine, than a dissolved quality of the fabric of the world, and its communication embodied less as artificial signification than an immanent event.
The radical granularization of computing capacity and addressability is a necessary precondition for true ubiquitous computing, and the operability of pervasively addressable nodes within a network points to magnitude of scale that Weiser?s original metaphor doesn?t capture. Consider IPv6, a preferred standard addressing system for web-connected entities, sites, objects, data-objects, etc. We as a global polity are currently running out of IPv4 addresses and most banks of unused addresses are controlled by the world?s 4 largest economies, privately and publicly. This restricts other agents, states, countries, peoples of literally being on the map at all, to have address and location within this emergent territory, and their earthly territories to have address within their artificial geographies of ubiquitous computation. IPv4 allowed for 4 billion possible addresses, and now IPv4 address exhaustion has spawned several technical work-around, but moving to a much larger, more granular addressing matrix is the logical transition. IPv6, as a 128-bit string, provides for an enormous number of addresses: a theoretical ceiling of 5.1?1028 addresses per person (note: as sets are dedicated to encryption, structural addressing, the number is actually smaller, though still incomprehensibly large), or 6.67 X 10^27 per square meter.
The level of practical granularity built into this protocol, considered as a designable plane to fill with addressees, boggles the mind, and begs the question as to whether anyone actually encounters that many singular addressable ?things? in the course of one?s life. This sum is greater than that of known stars and far more than all cells in human body. If you were to address everything you ever encountered how granular might you go before exhausting that individual allotment? Is it sufficient to address individual molecules as needed, and if so what might we do with that sort of communication and accountability? The built-in capacity of the protocol challenges our our notions and practices regarding what is an addressable entity is and will involve as an information singularity, or a single signal differentiation from noise, or a much larger aggregation of information punctualized into a provisionally single assemblage; and other figures, plants, animals, rocks, their constitutive molecules, pollens, cells, or immaterial agents, memes, concepts, conceptual or practical networks of any of the above, are all, in theory, able to claim some position within this sufficiently large addressing territorial apparatus.
What is the relationship then between a comprehensive computational addressing mechanism and the geographies of the world that already possess and provide addresses? Between a first planetary plane and a second artificial universalizing machinic layer? Is there a way to qualify the simulation and counter-simulation that must flow both ways? Surely it?s not simply that another virtual layer is constructed at scale so that it could overlay the first like Borges? 1:1 scale map, causing the original geography of positions to fade, crackle and blow away. Rather these interlacing territories would blend, perforate, signifying upon other, feeding back such that we come to realize finally that each is equally interior to the other. It is not only connecting things otherwise disconnected but a re-inscribing of the boundaries of potential aggregations and structuring their capacity to communicate as discrete things, redrawing what what imagine as a discrete thing, including ideas, events, one at a time or in groups. The scenario drawn is of an ?internet of things? to be sure, but what is a ?thing? but the temporary product of its multiplied relations, and so when does it recognize its own dependency, sovereignty, conditionality to finally fix a thing other than through potential addressability ? In that even the correlation between an address and a discrete ?thing? is an assemblage as potentially provisional as the addressee itself, wouldn?t the eventual program be instead for an internet of haecceities, addressable specificities that might name particularities as they come and go, even also before and after they exist per se.
The logic of a truly universal addressing resolver would include not only ?things? we process and communicate as discreet information, things much bigger than us and much smaller than ourselves in scale, things much slower and much faster, would also resolve ?us? as points within their possible communicative fields. Whatever characteristics that compose our recombinant selves --proto-events, words, gestures, preferences, perhaps even neuronal and chemical patterns, genetic figures and expressive dispositions-- are potentially part of a process of tagging and addressing worldly singularities. Even the structure of law may be redrawn, as things are now newly bounded. In that these haecceities, these instances of informational difference, and their qualia could be queried and made part of any number of analytic patterns regarding their presence in the world, whether through us, as us or around us, comes to over-determine the practical specificity of the individual subject to such a degree that its status as a legal-philosophical envelope may be evaporated through the emergent autonomy of its qualifying sub-components and supra-individual assemblages. There are parallels in neuro-philosophy which identifies not singular, resolved subjects but temporary neuronal networks, formations and intensities shifting their priorities in the chaotic jumble that is consciousness and cognition. Seen from the vantage point of the fields of metadata in which we are embedded we become subjective and intersubjective with other people and things through the possession of mutual qualities.
Another way of conceptualizing the design problematic of such a geography is in the artifactualization of objects, and how they come to absorb traces of memory and significance we impart to them by using them. Whether through ritual or repeated use, or iconic significance, or by genealogical possession simple objects are a repository of intentions and are haunted by them. In another essay I am currently writing with Ben Cerveny, we explore how the ubiquity of a communicative universal addressing system would serve to literally materialize these traces as explicit information in and through the objects they mark. Who has encountered something, what its arc of production might have been, what affective intensities it absorbed? What emotional baggage does it carry? The limit of what the thing can remember about is intersubjective relations with the world is that of what can be rendered as calculable information (in essence the same limit for the Turing Machine). As that limit is pushed further and further away as more and more things and proto-things are addressed, the critical social relations organized around the production of value in become reflexively themselves transposed into addressable clusters and empirically queryable entities. These spawn addressable metadata that spawns addressable meta-metadata, all of which requires visualization tools to make sensible. The image of things that literally absorb and communicate the conditions of their production, and the installation of people and things as both subjects and objects in the same network, is a challenge to our ethical stance toward the dignity of both. Marx characterized a certain logic of capitalism as the absorption and employment of people as if they were things. That is, the economic relations drive and are driven by a productive rationality that reduces things to their most apparently efficient conditions of production and circulation so as to maximize the surplus value realized in their transaction. One inverse of this is the treatment of things as we have learned to treat people, or imbuing of things with qualities of intrinsic agency, value and meaning. Perhaps the social and economic transformations of a strongly ubiquitous computation would threaten if not explode the parameters of brute humanism into an alternative, more rigorous materialism that extends an ethical purpose into the entire global ecology by demanding an empathetic recognition of ourselves in and as things.
Lastly then, to indicate two directions for research around the same question, what is the quality of the address? What is the nature of that thing which can be addressed, the haecceities? In the Oblong OS, we see a model of the data-object that is to a degree independent of potentially independent of the hardware on which it resides for the essence of its literal and experiential addressability. It is experienced that a data-object can move from device to device, even from physical to digital worlds and back again, from screen to surface to screen, because in a sense it is actually doing this. Here we see a mode of addressability that is closer to that of identity, a quality of irreducibility that is determined relationally by what is in effect non-relational and singular. The passport, as opposed to the street address on your drivers licence, marks you gives you addressability as you move through jurisdictional space whereas that street address gives you relational locatability within the geography of that jurisdiction. The paradox of addressability/identification as a mutually constitutive relation of a thing?s quality as such in motion and its relational location within a differential and indexical addressing scheme is also the geopolitical subtext of Thomas Pynchon?s The Crying of Lot 49, wherein addressing systems signified an essence of political authority and the interplay of the transparent and the undisclosed.
As such the larger project of designing resolvers for the open horizon of an internet of haeccities must allow for this particle/wave, physical/virtual transposability by conceiving the objectification of what we have otherwise taken to be purely ideational and immaterial fields. Eliminative materialism in neuro-scientifically-informed philosophy provides one channel toward a radically materialist comprehension of thought as an objective worldly event. the internet of haeccities, in that it suggests the addressability of cognitive events -human, non-human, machinic- not only as relational points but as points in subsequently designable relational fields, provides another.
Sunday, November 7, 2010
Sunday, October 31, 2010
Mind Flex?
Potential Results Image copyrighted: http://frontiernerds.com/brain-hack
http://mindflexgames.com/
Hacks:
http://frontiernerds.com/brain-hack
Coupling of Datascapes
An exploration into the potential that exist both latently and obviously present within the ecologies of datascapes and their relational qualities to the physical that invoke interplay between the two realms. Visualizing the engagement between the internet to the built environment, creating a blur between scales and the fusion of participation.
Citations as Thesis
Allen, Stan. Practice : Architecture, "2 Notations + Diagram: Mapping the Intangible." Technique Representation. 2nd ed.
40-67. London ; New York: Routledge, 2009.
Amoroso, Nadia. The Exposed City : mapping the urban invisibles. 1st ed. New York: Routledge, 2010.
Architectural League of New York. Resonance. 1st ed. New York: Princeton Architectural Press, 2009.
Beesley, Philip. Mobile nation. [Cambridge Ont.]: Riverside Architectural Press, 2008.
Berger, Alan. Drosscape : wasting land in urban America. 1st ed. New York: Princeton Architectural Press, 2006.
“Blaise Aguera y Arcas demos Photosynth | Video on TED.com.” http://www.ted.com/talks/blaise_aguera_y_arcas_demos_photosynth.html.
Bolchover, Joshua. Sustain and develop. 1st ed. New York: 306090 ;Distributed by Princeton Architectural Press, 2009.
Bullivant, Lucy. "Alice in Technoland by Lucy Bullivant." 4dsocial : interactive design environments. ED. Helen Castle. London ;[Chichester: Wiley-Academy ;;John Wiley distributor], 2007. 6-13
Bullivant, Lucy. "Beyond the Kiosk and the Billboard by Lucy Bullivant." 4dsocial : interactive design environments. ED. Helen Castle. London ;[Chichester: Wiley-Academy ;;John Wiley distributor], 2007. 14-23
Bullivant, Lucy. "Distinguishing Concepts: Lexicons of Interactive Art and Architecture by Usman Haque." 4dsocial : interactive design environments. ED. Helen Castle. London ;[Chichester: Wiley-Academy ;;John Wiley distributor], 2007. 24-31
Bullivant, Lucy. "It's All Inside My Head by Neil Spiller." 4dsocial : interactive design environments. ED. Helen Castle. London ;[Chichester: Wiley-Academy ;;John Wiley distributor], 2007. 118-119
Bullivant, Lucy. "Otherwise Engaged: New Projects in Interactive Design by Mark Garcia." 4dsocial : interactive design environments. ED. Helen Castle. London ;[Chichester: Wiley-Academy ;;John Wiley distributor], 2007. 44-53
Bullivant, Lucy. "Playing with Art by Lucy Bullivant." 4dsocial : interactive design environments. ED. Helen Castle. London ;[Chichester: Wiley-Academy ;;John Wiley distributor], 2007. 32-43
Easterling, Keller. Introduction to Organization space : landscapes, highways, and houses in America. Cambridge Mass.: MIT Press, 1999.
Fox, Michael and Miles Kemp. "Adaptable Space." Interactive Architecture. 1st ed. New York: Princeton Architectural Press, 2009. 94-104
Fox, Michael and Miles Kemp. "Embedded Computation." Interactive Architecture. 1st ed. New York: Princeton Architectural Press, 2009. 58-88
Fox, Michael and Miles Kemp. "Enhancing and Extending Activities." Interactive Architecture. 1st ed. New York: Princeton Architectural Press, 2009. 122-135
Fox, Michael and Miles Kemp. "Environmental Impact." Interactive Architecture. 1st ed. New York: Princeton Architectural Press, 2009. 109-119
Fox, Michael and Miles Kemp. "Horizons of Kinetic Architecture." Interactive Architecture. 1st ed. New York: Princeton Architectural Press, 2009. 49-52
Fox, Michael and Miles Kemp. " Sociological and Psychological Implications." Interactive Architecture. 1st ed. New York: Princeton Architectural Press, 2009. 138-173
Ghosn, Rania, and Harvard University. "Plug-In Ecozones by Managuh." In New Geographies. Cambridge Mass.: Harvard University Graduate School of Design ;Harvard University Press [distributor], 2009.
Gissen, David. "Eat Me ... Drink Me... by Sean Lally." Territory : architecture beyond environment. ED. Helen Castle. Chichester: John Wiley, 2010. 14-19
Gissen, David. "The Aurora Project by Jason Kelly Johnson and Nataly Gattegno." Territory : architecture beyond environment. ED. Helen Castle. Chichester: John Wiley, 2010. 74-81
Gissen, David. "Relational Interactive Architecture by Valentina Croci." Territory : architecture beyond environment. ED. Helen Castle. Chichester: John Wiley, 2010. 122-125
Hensel, Michael. Emergent technologies and design. Oxon [U.K.] ;;New York NY: Routledge, 2010.
Höhl, Wolfgang. Interactive environments with open-source software : 3D walkthroughs and augmented reality for architects with Blender 2.43, DART 3.0 and ARToolKit 2.72. Wien ;;New York: Springer, 2009.
Infrastructure as Architecture : Designing Composite Networks. Berlin: Jovis, 2010.
Jackowski, Nannette. Ambiguous spaces : NaJa & deOstos. New York: Princeton Architectural Press, 2008.
Jenkins, Paul. Architecture, participation and society. London ;;New York: Routledge, 2010.
“Jonathan Harris: the Web's secret stories | Video on TED.com.” http://www.ted.com/talks/jonathan_harris_tells_the_web_s_secret_stories.html.
Koblin, Aaron. “Aaron Koblin - Radiohead - House Of Cards.” http://www.aaronkoblin.com/work/rh/index.html.
Kwinter, Sanford. "Wildness." Far from Equilibrium Essays on Tecnology and Design Culture. Barcelona ;;New York: Actar, 2007.
Lally, Sean. "Architecture of Disbelief: Is Architectural Speciation a good thing? by Neil Spiller." Energies : new material boundaries. Hoboken N.J. ;Chichester: Wiley ;;John Wiley [distributor], 2009. 124-125
Lally, Sean. "Potential Futures by Sean Lally." Energies : new material boundaries. Hoboken N.J. ;Chichester: Wiley ;;John Wiley [distributor], 2009. 88-98
Leach, Neil. "iPhone City by Benjamin H. Bratton." In Digital Cities. London: John Wiley, 2009. 90-97
Lilley, Brian, and Association for Computer-Aided Design in Architecture.;Canadian Design Research Network.;Dalhousie University.;NSCAD University. Expanding bodies : art, cities, environment : proceedings of the ACADIA 2007 Conference, Halifax, Nova Scotia, October 1-7, 2007. [Cambridge Ont.?] ;[Halifax N.S.?]: Riverside Architectural Press ;;Tuns Press, 2007.
“Matt Ridley: When ideas have sex | Video on TED.com.” http://www.ted.com/talks/matt_ridley_when_ideas_have_sex.html.
Mau, Bruce, and Institute without Boundaries. Massive Change. London ;;New York: Phaidon, 2004. 90-124
Samson, Paul. "Evolution of the Noosphere concept." The biosphere and noosphere reader : global environment, society, and change. London ;;New York: Routledge, 1999. 51-100
Scholder, Amy, and Eyebeam Atelier. Interaction : Artistic Practice in the Network. 1st ed. New York NY: Eyebeam Atelier ;D.A.P./Distributed Art Publishers, 2001.
Silver, Mike. "20 Years of Scripted Space by Malcolm McCullough." Programming cultures : art and architecture in the age of software. London: Wiley-Academy, 2006. 12-15
Silver, Mike. "All - Over, Over - All: biothing and Emergent Composition by Pia Ednie - Brown." Programming cultures : art and architecture in the age of software. London: Wiley-Academy, 2006. 72-81
Silver, Mike. "Process / Drawing by CEB Reas." Programming cultures : art and architecture in the age of software. London: Wiley-Academy, 2006. 26-33
Smout, Mark, and Smout Allen. Augmented landscapes. 1st ed. New York: Princeton Architectural Press, 2007.
Spiller, Neil. Digital Architecture Now : A Global Survey of Emerging Talent. London: Thames & Hudson, 2008.
Stoll, Katrina and Scott Lloyd. Infrastructure as Architecture : Designing Composite Networks. Berlin: Jovis, 2010.
“The Machine Stops / Short Film : FREISE BROTHERS STUDIO.” http://www.freisebrothers.com/studio/index.php?/motion/the-machine-stops/.
Wang, xu. Ma sheng li gong xue yuan mei ti shi yan shi yue han · mei da de xue sheng zuo pin. Bei jing: Zhong guo qing nian chu ban she, 2001.
Yoon, J. and Eric Howeler. "Activated Fields." Expanded Practice : Höweler Yoon Architecture My Studio. 1st ed. New York N.Y.: Princeton Architectural Press, 2009. 158-165
Yoon, J. and Eric Howeler. "Body Contortions." Expanded Practice : Höweler Yoon Architecture My Studio. 1st ed. New York N.Y.: Princeton Architectural Press, 2009. 139-143
Yoon, J. and Eric Howeler. "Incorporating Boundaries." Expanded Practice : Höweler Yoon Architecture My Studio. 1st ed. New York N.Y.: Princeton Architectural Press, 2009. 134-138
Yoon, J. and Eric Howeler. "Infra Green." Expanded Practice : Höweler Yoon Architecture My Studio. 1st ed. New York N.Y.: Princeton Architectural Press, 2009. 188-195
Yoon, J. and Eric Howeler. "Performing Production." Expanded Practice : Höweler Yoon Architecture My Studio. 1st ed. New York N.Y.: Princeton Architectural Press, 2009. 150-157
Tuesday, October 12, 2010
Thesis Abstract attempt 01
Plug in Ecologies:
An exploration into the potential that exist both latently and obviously present within the ecologies of datascapes and their relational qualities to the physical. In specifically in the realm of data transfer and the phenomena of the Internet as an infrastructure that encompasses potentials for interventions and defining the participation and interactivity among inhabitants to spam globally. Situated within multiple scales ranging between the scope of a globalize network of sub marine cables and satellites that floods our lower earth orbit (LEO) the geocentric orbit. Down to the user and the body that is plug into a realm of 0's and 1's that decode the virtual world before being processed and manifested back into the physical world.
What is the relationship between this global infrastructure of data and the built environment. Work that starts to explore how the internet as a source of collective memory and collective engagements begins to manifest into parameters and variables the control, depict, and or visualize the built environment. What is the outcome of the cross breeding between formal qualities of space, time and light be with the infusion of data, media, and collective engagements, while stimulating and ever change and streaming source of data and information.
Through embedded computation and kinetics, sensors, actuators, motors, and arduino will start to manipulate and represent conceptual provocations of space, form, atmospheric, and representation. In a constant search of a representational technique that justify the streaming flow of information of the internet and its relationship as a collective filter and memory to inform something tangible. Providing instructions from crowd sourcing to manipulate representations, space, and time.
An environment that starts to visualize the engagement between the internet, and the data to the built environment. Producing a series of iterative of drawings of the internet and data using processing to decode the data. Balanced with a series of artifacts that communicate a level of live engagement between the stream of information with a spatial environment.
What does it mean to be within a "plug in" ecologies. A virtual network that starts to invoke interplay be the virtual and the physical. The blur between scales and the fusion of participation, taking a architectural object that is subjective to its context and environment and making it conform and situated its self in a next context virtually within the global world.
The Machine Stops
The Machine Stops from Reel 13 on Vimeo.
Great short film made by the Freise brothers.
Interesting opposition to where I'm heading. Interested in the reality that is plug into the "machine" the internet and its thriving to pull architectural intervention that are latent behind this uncharted infrastructure. This films takes it and forecast the next stage of events, the dieing of the machine and the reconnect body to the natural environment.
Monday, October 11, 2010
Computational to enable Collective Memory
data collective memory
create an emergent between hyper links
increase in complexity
meta data tags and information and links
increase in knowledge
virtual models
network effect
Tuesday, September 14, 2010
Augmented City by Keiichi Matsuda
http://www.wallpaper.com/video/-/-/292194998001
Augmented (hyper)Reality: Domestic Robocop from Keiichi Matsuda on Vimeo.
Augmented (hyper)Reality: Domestic Robocop from Keiichi Matsuda on Vimeo.
"Augmented City" is this a glimpse of what a world where data is streaming and our environment in a constant state of change and in a responsive nature.
Monday, September 13, 2010
House as Thesis?
Plug - In and Streaming Ecology:
House as Thesis becomes the House to House the Thesis.
A House within a House, within a "House" that is Plug - In to Streaming Data Ecology.
Friday, August 27, 2010
Aaron Koblin: Data visualization artist
Aaron Koblin :
Flight Patterns: LINK
House of Cards
Links:
Aaron Koblin
the making of "house of cards"
Matt Ridley: When ideas have sex
(http://www.ted.com/talks/matt_ridley_when_ideas_have_sex.html)
New collective way of approaching interdisciplinary works of architecture?
Questions:
How can a computer programmer / medical student / law student / chemist / biologist / physicist aid or contribute to an architect in articulating formal moves, architecture, space, etc etc...
I, Pencil
I, Pencil by Leonard E. Reed (dec. 1958)
I am a lead pencil--the ordinary wooden pencil familiar to all boys and girls and adults who can read and write. Writing is both my vocation and my avocation; that's all I do.
You may wonder why I should write a genealogy. Well, to begin with, my story is interesting. And, next, I am a mystery -- more so than a tree or a sunset or even a flash of lightning. But, sadly, I am taken for granted by those who use me, as if I were a mere incident and without background. This supercilious attitude relegates me to the level of the commonplace. This is a species of the grievous error in which mankind cannot too long persist without peril. For, the wise G. K. Chesterton observed, "We are perishing for want of wonder, not for want of wonders."
I, Pencil, simple though I appear to be, merit your wonder and awe, a claim I shall attempt to prove. In fact, if you can understand me -- no, that's too much to ask of anyone -- if you can become aware of the miraculousness which I symbolize, you can help save the freedom mankind is so unhappily losing. I have a profound lesson to teach. And I can teach this lesson better than can an automobile or an airplane or a mechanical dishwasher because -- well, because I am seemingly so simple.
Simple? Yet, not a single person on the face of this earth knows how to make me. This sounds fantastic, doesn't it? Especially when it is realized that there are about one and one-half billion of my kind produced in the U.S.A. each year.
Pick me up and look me over. What do you see? Not much meets the eye -- there's some wood, lacquer. the printed labeling, graphite lead, a bit of metal, and an eraser.
I am a lead pencil--the ordinary wooden pencil familiar to all boys and girls and adults who can read and write. Writing is both my vocation and my avocation; that's all I do.
You may wonder why I should write a genealogy. Well, to begin with, my story is interesting. And, next, I am a mystery -- more so than a tree or a sunset or even a flash of lightning. But, sadly, I am taken for granted by those who use me, as if I were a mere incident and without background. This supercilious attitude relegates me to the level of the commonplace. This is a species of the grievous error in which mankind cannot too long persist without peril. For, the wise G. K. Chesterton observed, "We are perishing for want of wonder, not for want of wonders."
I, Pencil, simple though I appear to be, merit your wonder and awe, a claim I shall attempt to prove. In fact, if you can understand me -- no, that's too much to ask of anyone -- if you can become aware of the miraculousness which I symbolize, you can help save the freedom mankind is so unhappily losing. I have a profound lesson to teach. And I can teach this lesson better than can an automobile or an airplane or a mechanical dishwasher because -- well, because I am seemingly so simple.
Simple? Yet, not a single person on the face of this earth knows how to make me. This sounds fantastic, doesn't it? Especially when it is realized that there are about one and one-half billion of my kind produced in the U.S.A. each year.
Pick me up and look me over. What do you see? Not much meets the eye -- there's some wood, lacquer. the printed labeling, graphite lead, a bit of metal, and an eraser.
Jonathan Harris: the Web's secret stories
(http://www.ted.com/talks/lang/eng/jonathan_harris_tells_the_web_s_secret_stories.html)
Jonathan Harris @ number27
he quotes "how we relate to our machines and to each other"
Currently on my mind.
Think about how a collective / collaboration of technology and parametric computing and this new role that architects now play as data managers and inform new architecture that might resembles a form of meta organism that shapes and evolves with a collection of data and information and in return transcribes into a new reality. A form or space / environment; "architecture" Trying to really push the ideology of our current species capabilities, which goes beyond our individual capacity. I've heard this phrase before, "that no one person now knows or have the ability to make a pencil" no one person "can aquire the wood, lacquer, printed labeling, and graphite need to composed a pencil."
We have acquire the ability to DO beyond our capacities. This is he evolution of man and the evolution of man understanding space.
Attempt:
To push parametric into a realm where its more than a command and an output but a systematic, interconnection, communication, and collective server of data and commands and relational formulas.
- crowd sourcing ?
- accelerated design ?
- a constant never ending loop within a shift of ideas information and spacial context "gestalt - shift"
- imaging "storm front" that our world is a moving storm. the approach of the storm is upon the horizon.
- as architects we infuses our self into a position where we digest and collect information / data / culture / etc.. from this storm as we use our specialty to comprehend and produce architecture.
Lexicon_06: Peter Sloterdijk
Peter Sloterdijk: "Air / Condition"
weather (topic-based)
1. of or pertaining to an atmospheric state 2. a collision of natural forces
psychoactive (descriptive / active)
1. of or pertaining to a substance having a profound or significanteffect on mental processes
weather (topic-based)
1. of or pertaining to an atmospheric state 2. a collision of natural forces
psychoactive (descriptive / active)
1. of or pertaining to a substance having a profound or significanteffect on mental processes
Thursday, August 26, 2010
Lexicon_04: Mark Wigley
Mark Wigley: "Recycling Recycling"
"like bodies, can be prosthetically transformed and dispersed. Inside the ever larger, interconnected, and entangled network that envelops the planet are layers of concepts that evolve and interact continuously like the weather. It is in this intricate play between organic processes, economies, technologies, and concepts tat the nuances of McHale's understanding of ecology lies."
Lexicon_03: Keller Easterling
(http://www.berilguvendik.com/images/portfolio/hani_4_med.jpg)
Lexicon_01: Robert Smithson
(http://www.thenation.com/sites/default/files/images/media/doc/a9e/1242319091-large.jpg)
Thursday, July 8, 2010
Thursday, July 1, 2010
Stormfront
STORM
• noun: 1 a violent disturbance of the atmosphere. 2 an uproar or controversy. 3 a fierce outburst of a specified intuition or reaction. 4 a heavy discharge of objects. 5 a sudden heavy influx or onset. !6 a violent assault on a defended position
• verb: 1 move forcefully in a specified direction. 2 suddenly advance and capture 3 intensely vocalize
FRONT
• noun: 1 the side or part of an object that presents itself to view or that is initially exposed. 2 the position directly ahead. 3 any face of a building, especially that of the main entrance. 4 the foremost line of an armed force 5 the boundary of an advancing mass of air. 6 a particular situation or sphere of operation. 7 a deceptive appearance or mode of behavior. 8 boldness and confidence of manner 9 a position of leadership or superiority! 10 a person, group, or thing used to mask the identity or true character or activity of the actual controlling agent
STORM FRONT
• noun: 1 an aggressive stride demonstrating an embodied or apparent passion. 2 an unstable embedded mass intertwined into and altering its context. 3 a barrage of ideas formulated from the surrounding environment offering a noticeable and intense alteration to patterns, attention, and intensities. 4 the scale of the atmosphere to the detail of material. 5 a sign of imminent squall. 6. the sudden attack and capture of a site. 7 induced joyous anticipation of significant disturbance. 8 the cause of significant weather. 9 amplification of observation and anomalies. 10 one hell of a maneuver.
LOGICS AND LOGISTICS:
10.05.15. efforts commence to establish research in an observational and empirical basis into a charged condition seen as an instigator of work that amplifies infused interests in the realm(s) connecting architecture and atmosphere, ecology, geographies, energy, materials, and aberrant systems. Initial steps include the development and defense of terminology, a design exercise that prompts a stance, and logs of demonstrative correlations. To position both material and theoretical research in all cases, the definition and role of thesis will be investigated through existing examples, topics of related discourse, and group discussions. Input will be sought from a range of disciplinary domains and voices that will interrogate the work from the outside as we advance its compression and expansion from the inside. Strands of interest will be scrutinized at multiple scales to challenge design positioning conceptually and physically. Storm Front will conclude with robust demonstrations of the depth and breadth of these efforts on 11.04.27.
Wednesday, June 30, 2010
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